Today’s episode of Voices of the Tongass features a story from Ben Hamilton about becoming a filmmaker in Southeast Alaska. To listen to the show, scroll to the bottom of this post. For more of Ben, read on…
Ben Hamilton, a native Texan, never thought of himself as someone who lived in Alaska. But recently when a stranger asked if he spent the summers here, he had to stop and think about it. He was living here this summer. And lived here the summer before. And, as it turns out, Ben realized that he is a 24-year old filmmaker who has spent the last six summers living in Southeast Alaska, very far from both Texas and from what the average person would think of as a thriving cinema industry. But getting into the wild has given him opportunities he couldn’t have found anywhere else. He talks about his first film, Echoes in the Tongass, as his second film school. “I spent more hours on that movie than I did in classes,” he says. “The Tongass is definitely a media resource for me. There’s so much that I’ve filmed here that it’s been a huge resource. Financially, without the Tongass, I don’t think that I would have worked here, without question. For most films you need a subject with conflict and a narrative. Wilderness area doesn’t necessarily have a story, unless there’s a human story behind it. Humans working to protect a conservation area from a threat? It seemed like a story worth telling.”
Not only did his work help spread a message of conservation for the Tongass, but the Tongass also helped spread the message of Ben: in particularly, the quality of his work. “Now with National Geographic, I’m considered an Alaskan contact. I’m currently in talks with the BBC to help coordinate Southeast Alaska shoots,” he says. “Which is crazy. But if you spend enough time in a place, you get to know it.”
Ben represents a new type of subsistence lifestyle in Alaska. He makes his living from the land, and what he shoots out in the wilderness he still has to pack to town on his back. But what Ben can bring home are not anything that could fill his freezer. Instead, they’re the stories of the land that he has grown to love, stories that are shared with people all over the world in order to show them what a temperate rainforest or a calving glacier looks like, and why they’re worth protecting. And getting to see more wilderness than 90% of the residents of Southeast isn’t just nice for Ben’s viewers. “I have no doubt that living in Sitka has changed who I am,” Ben says. “There are definitely moments where I just think this is the most beautiful place in the world. I’ve been so lucky. On one of the most incredible sunset nights I’ve ever seen, we saw aurora borealis and the Milky Way. Before that I had never seen stars in Sitka.” How did he find the secret to stargazing in cloudy Southeast? “You just have to stay late enough until it gets dark. To wake up in the middle of the night to see the sky filled with stars? That was a magical night.”
Today’s episode of Voices of the Tongass features a story from Bailey Brady about growing up on a float house. To listen to the show, scroll to the bottom of this post. For more of Bailey’s stories, read on…
At 20, Bailey Brady has had fewer chances than most to get her feet planted firmly on the ground. A native Southeast Alaskan, Bailey spent her formative early years living on her family’s float house. “It’s your own personal island!” she says. And it has shaped Bailey’s perspective in a unique way: for here, there’s not just one right way to do things, even in terms of a foundation. “It creates different expectations for me, for a house, and what you can do with it,” she says to us. The fact that we are sitting at a reclaimed restaurant booth on the back deck of her family’s current on-shore home, walled in by recycled windows and a salvaged glass door only serves to prove her point.
For many kids (not to mention their parents), a float house might seem like an incredibly limiting perimeter. “To go into town you had to take your skiff in,” Bailey says, “And I was little, so it was just one trip in a day to go to daycare. Then Mom would come pick me up and skiff out again. Other than that, regular life. Just in a house that floats on the water. ” But Bailey says it taught her how to be creative, even if she couldn’t step off her front porch. “You find places to go on your float house,” she says. She recounts the places she would explore: the big deck, her dad’s big troller, which was tied to the float when he wasn’t out fishing. And Bailey was no stranger to fishing herself. Whether it was with her Spiderman rod or just trying to fish her cat Marbles out of the water, she always found a way to stay entertained on the water.
And now, living in Sitka, to Bailey it seems like her space to roam has significantly expanded. And while some people might feel penned up by the very real city limits, Bailey still sees endless possibilities. “You’ve only got fourteen miles of road and so you appreciate it a lot more. You make a lot more out of those fourteen miles. Living on an island is such an amazing experience – you’re a little bit more limited, but you have a lot more opportunities at the same time and I think that really shapes people in a different way.”
Bailey herself is proof of that – her ability to find creative opportunities and possibilities that are often overlooked by others are evidence that the places we grow up shape who we are, from our values to our outlooks on life. And even for kids who didn’t literally grow up on the water, Bailey is a great example of the power of perspective. Your physical boundaries can only restrict you as much as you allow them to – and unlimited adventure can be found in even the smallest quarters.
If you don’t see a play bar below, try using the link to play this week’s show, produced by Caitlin Woolsey and Berett Wilber: LWL_BAILEY_BRADY.
Voices of the Tongass premiered this morning on Raven Radio!
This week’s episode was a poem called Physical Love, written and recited by Berett Wilber, who was born and raised in Sitka. Her collection of poems, entitled Lesser Known Marine Mammals Lesser Known Love Songs, won the departmental prize for poetry this year at Carleton College in Northfield, Minnesota, where she has been a student since 2011. Many of the themes and images in her poems are drawn from her experiences growing up in the Tongass, from the ocean, and from everyday life in Sitka.
Did you miss it? Do you want to hear it again? Just hit play on the track below. All episodes will be available here at the SCS website.
To hear more Voices of the Tongass, tune in to Raven next Thursday during Morning Edition.
we will never touch anything in our whole lives.
our electrons and protons whirring around each other
in a series of missed connections so close
they feel solid -
my palms gripping the splinterless oars,
the sway of the rowboat on the water,
my wet feet close enough to put in your lap,
this is all just sensation.
we will also never hear each other.
the words that you speak
will never come to me as you mean them.
they will be necessarily twisted through their journey
in the internal tunnels of my mind, mere
translations that will account for
the specific friction of your vocal chords
but also, science tells us,
your posture, the shape of your mouth,
and the exchange of the muscles in your back
as you pull us out towards the center of the lake.
sweetheart, i am losing myself in all of this -
but what i’m trying to say to you is:
there is a wilderness between us.
and it is deeper and more vast
than any of the forests and deserts and mountains
that we could cross in this life
or any other.
we will never be able to escape
the bounding boxes of these bodies,
leave ourselves behind
long enough to make the journey
towards that soft pink space
where we are each tucked
safely and separately like
conchs inside our shells.
what I’m trying to tell you is:
this is why
my wet feet are in your lap,
my ice-cold swimming shoulder pressed against
your warm one.
every shiver you shiver
from the chill collected in my skin,
is a path through the wild.
an unlikely victory
for the impossibility
of our proximity.